|  |  | |  | |  | From Chapter 1: Perhaps the most likely scene of Raleigh's first experiments in the art of smoking was Durham House, which stood where the Adelphi Terrace and the streets between it and the Strand now stand. This was in the occupation of Sir Walter for twenty years (1583-1603), and he was probably resident there when Hariot returned from Virginia to make his report and instruct his employer in the management of a pipe. Walter Thornbury, in his "Haunted London," referring to the story of the servant throwing the ale over his smoking master, says: "There is a doubtful old legend about Raleigh's first pipe, the scene of which may be not unfairly laid at Durham House, where Raleigh lived." The ale story is mythical, but it is highly probable that Sir Walter's first pipes were smoked in Durham House. Dr. Brushfield quotes Hepworth Dixon, in "Her Majesty's Tower," as drawing "an imaginary and yet probable picture of him and his companions at a window of this very house, overlooking the 'silent highway':
From Chapter 6: At si Mundungus desit: tum non funcare recusant Brown-Paper tostâ, vel quod fit arundine bed-mat. Tobacco, in Queen Anne's time, still maintained its hold over large classes of the people, and was still dominant in most places of public resort; but there were signs of change in various directions as we have seen, and smoking had to a large extent ceased to be fashionable. Pepys has very few allusions to tobacco; Evelyn fewer still. There is little evidence as to whether or not the gallants of the Restoration Court smoked; but considering the foppery of their attire and manners, it seems almost certain that tobacco was not in favour among them. The beaux with their full wigs—they carried combs of ivory or tortoiseshell in their pockets with which they publicly combed their flowing locks—their dandy canes and scented, laced handkerchiefs, were not the men to enjoy the flavour of tobacco in a pipe. They were still tobacco-worshippers; but they did not smoke. The Indian weed retained its empire over the men (and women) of fashion by changing its form. The beaux were the devotees of snuff. The deftly handled pinch pleasantly titillated their nerves, and the dexterous use of the snuff-box, moreover, could also serve the purposes of vanity by displaying the beautiful [97]whiteness of the hand, and the splendour of the rings upon the fingers. The curled darlings of the late seventeenth century and the "pretty fellows" of Queen Anne's time did not forswear tobacco, but they abjured smoking. Snuff-taking was universal in the fashionable world among both men and women; and the development of this habit made smoking unfashionable.
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From Chapter 1: Perhaps the most likely scene of Raleigh's first experiments in the art of smoking was Durham House, which stood where the Adelphi Terrace and the streets between it and the Strand now stand. This was in the occupation of Sir Walter for twenty years (1583-1603), and he was probably resident there when Hariot returned from Virginia to make his report and instruct his employer in the management of a pipe. Walter Thornbury, in his "Haunted London," referring to the story of the servant throwing the ale over his smoking master, says: "There is a doubtful old legend about Raleigh's first pipe, the scene of which may be not unfairly laid at Durham House, where Raleigh lived." The ale story is mythical, but it is highly probable that Sir Walter's first pipes were smoked in Durham House. Dr. Brushfield quotes Hepworth Dixon, in "Her Majesty's Tower," as drawing "an imaginary and yet probable picture of him and his companions at a window of this very house, overlooking the 'silent highway':
From Chapter 6: Addison and Steele smoked, and so did Prior, who seems to have had a weakness at times for low company. After spending an evening with Oxford, Bolingbroke, Pope and Swift, it is recorded that he would go "and smoke a pipe, and drink a bottle of ale, with a common soldier and his wife, in Long Acre, before he went to bed." Some of Prior's poems, as Thackeray caustically remarks, smack not a little of the conversation of his Long Acre friends. Pope for awhile attended the symposium at Button's coffee-house, where Addison was the centre of the coterie—he describes himself as sitting with them till two in the morning over punch and Burgundy amid the fumes of tobacco—but such a way of life did not suit his sickly constitution, and he soon withdrew. It is not likely that he smoked.
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Tobacco History:
Cigarettes and Literature
From Chapter 1: The only mention made of tobacco by Raleigh himself occurs in a testamentary note made a little while before his execution in 1618. Referring to the tobacco remaining on his ship after his last voyage, he wrote: "Sir Lewis Stukely sold all the tobacco at Plimouth of which, for the most part of it, I gave him a fift part of it, as also a role for my Lord Admirall and a role for himself ... I desire that hee may give his account for the tobacco." As showing how closely Sir Walter's name was associated with it long after his death, Dr. Brushfield quotes the following entry from the diary of the great Earl of Cork: "Sept. 1, 1641. Sent by Travers to my infirme cozen Roger Vaghan, a pott of Sir Walter Raleighes tobackoe."
From Chapter 6: John Philips, the author of "Cyder" and the "Splendid Shilling," was an undergraduate at Christ Church, during Aldrich's term of office, and no doubt learned to smoke in an atmosphere so favourable to tobacco. In his "Splendid Shilling," which dates from about 1700, Philips says of the happy man with a shilling in his pocket: Meanwhile, he smokes, and laughs at merry tale, Or Pun ambiguous or Conundrum quaint. But the poor shillingless wretch can only doze at home In garret vile, and with a warming puff Regale chill'd fingers; or from tube as black As winter-chimney, or well-polish'd jet, Exhale Mundungus, ill-perfuming scent. >The miserable creature, though without a shilling, yet possessed a well-coloured "clay." It is significant that the writer of a life of Philips, which was prefixed to an edition of his poems which was published in 1762, after mentioning that smoking was common at Oxford in the days of Aldrich, says apologetically, "It is no wonder therefore that he [Philips] fell in with the general taste ... he has descended to sing its praises in more than one place." By 1762, as we shall see, smoking was quite unfashionable, and consequently it was necessary to explain how it was that a poet could "descend" so low as to sing the praises of tobacco.
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